So, lets start from the beginning. Goat Showing 101. The basic premise is that one shows a goat the way one shows a dog. Goats wear collars and leashes, and humans
walk them around in a ring. The classes
are sorted by gender and age; the ages are divided into junior and senior. The judge compares each goat to the breed
standard and then ranks the goats in order of best to not-so-best. The winners of each class then compete for
“Junior Champion” and “Senior Champion” and then the Junior Champion and Senior
Champion compete for GRAND Champion.
Whoo hoo! And for all of this you
get… a big purple ribbon! Don’t forget
the glory. Yes, it is all about the
glory.
But, wait, I forgot the best part: showmanship. The first classes of each show, usually
starting at 8 or 9 in the morning, are showmanship, where the humans compete
against each other based on their knowledge of goats and the intricacies of
showing a goat to its highest potential. It’s very cute when little children, like 3
years old, walk in with a goat larger than themself. Usually a parent or helper tags along to
manage any…mishaps…like runaway goats or children. These classes are divided by age (of the
handler) and go up to age 18. Sometimes a
show will have an adult showmanship class that we fondly call “The Geriatric
Class,” but in general adults don’t like being judged. Kids learn that too; the 15-18 year old class
is mighty small.
In showmanship, the judge runs the exhibitors and their animals through
a mock class and evaluates them on the grooming and cleanliness of their goat, the
handler’s knowledge of maneuvers around the goat, the handler’s grace in
performing these maneuvers (just knowing how to do the move doesn’t mean you
look particularly nice doing it – just sayin’), the handler’s ability to watch
and respond to the judge every last second, and, finally, the interview. The judge pulls each exhibitor aside, one at
a time, and asks him/her (usually her) a series of questions to test his/her
knowledge of the pygmy goat and its general care. It’s rather like the Miss America pageant:
grooming, talent, interview – no bathing suit.
As the kids get older, it becomes quite competitive, and I am proud to
say that my Bella may have been one of the top showman competitors in our area
for several years running. She
eventually went to boarding school and retired from the whole goat thing, but
when she was on The Circuit, she was “in it to win it.” She practiced obsessively at home, mostly
getting her “show face” down to a science.
One of the key points of showmanship is that you must look at the judge
the entire time (and I mean every last millisecond) with a pleasant
expression on your visage. I like to
think that the idea behind it is to brighten the day of the judge who otherwise
would spend 6-10 hours watching glowers and grimaces. At least for an hour or so, the exhibitors
smile.
Bella, to be honest, is not the friendliest child in my litter. I’m quite sure she would agree with that
assessment. Everyone has his/her own,
unique resting facial expression and I challenge you to snap a selfie when you
are just existing, without trying to look like anything. Bella’s neutral expression is a scowl. We, her loving family, call it “bitch
face.” For goat showing, therefore, it
was imperative that she conjure up a radically different expression. Here’s what she came up with:
She would hold this expression until her face ached. Those of us who knew her thought it was
pretty damned funny, but outsiders believed it (for a while). Judges especially. She was really good at all the other parts,
too. She knew the “maneuvers” cold. She could spin around her goat with the grace
of a Russian ballerina; she could hold perfectly still like a statue for long
minutes – all the while “smiling” at the judge, who might at any moment
possibly glance her direction to check that she was still watching. She studied the “Pygmy Handbook” and learned
all the parts of a goat, which she could recite both alphabetically and
locationally (start at the head and work back).
Her trusty sidekick all those years was Pupa, pictured here with Bella
and also the goat in the wagon in the previous post. Pupa was a special goat. She may have even been a reincarnated
saint. She was 4 years old when Bubba
gave her to Bella as Bella’s first goat.
Her show name, of course, was not Pupa, but that’s what Bella dubbed
her, so that’s what we all called her. Pupa
had the patience of Jove and adored Bella beyond all comprehension. For example, Bella could yell across the
property, “PUPA” and Pupa would Maaah
back in response – every time. But Pupa
would only Maaah to Bella. The poor animal went into a bit of a funk
when Bella went away to school. And Pupa
knew her job; she would follow along obediently and do the “show thing” herself
so Bella could focus on Bella. The magic
combination worked like a charm and Bella usually won every showmanship class
she entered.
Lets not forget that this is supposed to be fun (!!). At State and County fairs, the youngsters don
their 4-H uniforms, including WHITE jeans and white shirts. Who the hell ever thought that white clothes
were a good idea for showing livestock?
Obviously someone who has never shown livestock, or done laundry for
seven children. The children groom their
animals to a high luster and paste on their pleasant expressions. Moms, meanwhile, fuss over their child’s hair
and the dirt spots on their jeans and hunt down those pesky green caps. I’ve pulled a few of my fav photos to
share. Love the one of Elizabeth fixing
her cap with her goat, “Lottie,” firmly grasped between her knees. It’s all about the priorities. The unidentified little girl behind Elizabeth
is picking her nose. And there’s
Katherine after winning her showmanship class using Bella’s goat. That smirk is absolutely genuine and aimed
directly at her sister. Finally, little
Bobbie down there is stoic as ever, working on his posture. The tie is bigger than he is.
It’s wholesome and adorable. Good
family fun, though sometimes a little cut throat – with the moms, that is. Stage moms are stage moms wherever you
go. Charlie used to play on a “select”
soccer team and I am here to say that the only difference between those soccer
moms on the sidelines and the goat moms in the bleachers is the vocabulary and
noise level. In goat shows, moms don’t
yell across the ring at their kids – we just use gestures, hand signals, and
theatrics. Like charades.
My favorite part is the interview.
I mean really, how many times is your kid called up for an oral
interview with a stranger? They have to
think on their feet, be articulate, be pleasant, and be poised – all while
talking about the anatomy and medical needs of a goat. Good practice for life. My favorite judge of all time makes the kids
get on the microphone and judge the other goats in their showmanship class – an
impromptu judge’s test. As a child, I
could no more have spoken spontaneously on a microphone than I could have flown
to Mars. I wish someone had pushed me
that way so public speaking as an adult would be that much easier. I hope the kids are paying attention!
Before I talk about the mechanics of HOW to show a goat, I should go
into how to PREP a goat for a show. It’s
quite an involved process involving a lot of equipment and hair products. First, you have to catch your goat. I recommend not letting them see you carrying
the lead rope or leash. They are smart,
these little caprines. Katherine has
trained her herd to be docile and easy to catch (especially with the promise of
food), but in years past we have run like lunatics around the field screeching
after the lightening quick animals. But,
I digress, lets assume that the goat is caught.
You put your goat in a stanchion, pictured below, which is basically a
bench with two upright posts that can be clamped shut over a goat’s neck, thus
trapping the front end of the animal.
The back end, mind you, is still free.
Once secured in the contraption, the exhibitor has access to all parts
of the goat.
We use garden shears to trim the hooves; it’s more like cutting
toenails than shoeing a horse. Next,
electric clippers trim the hair in the ears, on the top of the head, around the
tail, and along the legs. The Seasoned Goat
Shower uses a variety of soft and stiff brushes and combs to tease out the
fluffy undercoat and smooth down the unruly hairs. He/she also uses a super high-powered blower
to BLAST away any loose hair and dirt.
It’s rather like a leaf blower. I
find that part of the grooming process particularly satisfying – instant
gratification. The goats disagree. Our blower is a “Metro Air Force Commander
Dryer.” 4-horsepower of blowing fury. Watch the fur fly!
Then, more brushing and combing and trimming. Finally, the hair products come out. Katherine has upped her game recently with a
new range of “show sheens,” dry shampoos, and conditioners. Truthfully, she chooses products by which one
smells best. Aromatherapy is always soothing,
even in the goat ring. Sometimes we
bathe the goats and use whiteners on their white spots—maybe we should do that
more often? Hmm. The goats and I all
prefer the dry shampoo. When all is said
and done, the goats are fluffy and soft as newborn chicks and shiny as a new
penny. At least, they are if you have
done a GOOD job. I know people, who
shall remain unnamed, who barely dust the hay off their goats before going into
the show ring. Tsk tsk.
I’ve seen people fluff up their bucks, comb them, re-fluff and then
spritz. Come on people, it’s a
goat. Maybe sometime I’ll tell you about
the rabbit show I went to once – now those people are crazy!
After the grooming, it’s all rather anti-climactic. The exhibitor walks his/her goat into the
ring at the designated time. The judge
checks the goat’s teats or testicles, depending on the class of course, and the
exhibitor and goat march off to stand in line with the other goats (and people). The exhibitors reposition their goats, “set
them up” (I love that phrase – sounds devious – sets them up for what? Failure?
Success?), and stand with arm outstretched over the goat to make it look its
very grandest. Upon the judge’s command,
the line takes off in a slow procession around the ring, whereupon the judge
watches how the goat tracks (= walks) front and rear. There’s a right way and a wrong way to walk
your goat, but I’m not getting into that today.
Suffice it to say, there is technique.
The line halts and the exhibitors rush to “set up” their animals again –
this leg here, that leg there, tail up, looking left, fur flat, smile pleasantly
– done! The judge comes around and feels
each goat’s back, shoulders, and legs and grimaces as he/she tries to keep
track mentally of how this animal compares to the previous 15 goats he/she has
just examined. More walking, standing
sideways, standing front view, standing rear view. In a big class, the judge picks the best 5-8
goats and “works with” those goats, excusing the other goats to leave. That’s called “getting the gate.” No one likes rejection, so we all mope out of
the ring together. (I usually get the
gate so I lump myself in with this group.)
The judge moves the goats around some more, and then ranks them from 1st
to 5th. The exhibitors reorder
themselves accordingly. The judge finally
gets on the microphone and explains why goat 1 is better than goat 2 who is
better than goat 3 and so on. Phew. Ribbons are distributed. The End.
The exhibitors go get their next goat and do it again.
A typical show has about 30 classes, in addition to the four showmanship
classes in the beginning. Adding on the
champion lineup and the grand champion lineup for bucks and does, the grand
total is 38 classes (including showmanship).
Shows usually start at 9:00 am and can take ten hours, including an hour
for lunch (thank the baby Jesus). On
Saturday, after the first class finishes, a new judge (who has been hiding in his/her
rental car so he/she doesn’t see any goats that might bias his/her opinion) appears
and starts the second show right away.
The second round on Saturday just gets through bucks, which is usually a
small group of animals. That means the
Sunday show only goes about 6 hours.
Hooray!
Honestly, I’ve been to shows that have gone until midnight and
beyond. It’s not because there were
hundreds and hundreds of goats (the average show size in our area is about 200
animals), it’s because some judges are excruciatingly slooow. One of these days I’ll talk more about
judges: the who, why, and how.
I’ve pulled
a couple random pictures off the Internet from shows in Ohio and Colorado to show you what, in general, a goat
show looks like. I don’t know any of
these people, but they look just like many people that I do know from our
regional club, the Sierra Pacific Pygmy
Goat Association (www.sppga.com). The consistency of goat shows
still surprises me – a goat show is pretty much same every single time. The only difference is the human politics and
drama. I think that’s why people keep
going back.
[The Ohio and Colorado people are even wearing the same color! The last one is what we look like in
California. Exactly the same.]
So, why do people do this? I
intend to do some research into that question, as well as “how did you find out
about this hobby?” But I am going to
venture a guess: it’s the community.
Love them or hate them, you get to know one crazy group of people very,
very intimately.